Trapped in a library somewhere in the United States, our correspondent's only means of communication is...
My Word's Worth
FITTER TO PRINT
I don't know if you in England are having the same problem, but here,
newspapers are dying. Hardly any of our cities have more than one daily
newspaper anymore, and some cities have lost all their newspapers.
The conventional wisdom is that this is not the fault of reporters or
editors or owners. No, the usual suspects are:
inner city offices and plants, but suburban advertisers and readers.
competition with television, which gets there faster, with exciting
action footage. Now, there's also competition with e-newspapers.
rising costs--union labor and the rising cost of newsprint.
newspaper chains buying everything in sight.
And these have undoubtedly contributed to the downward spiral of circulation
and advertising revenues.
But my own feeling is that what has truly killed the newspapers is--the
newspapers. They are deadly. Their prose is as heavy as the Sunday New
York Times, and it is boring, boring, boring. It is gray prose, about
gray subjects, with little or no connection to the lives of the readers. It
may be fit to print, but it's sure not fit to be read--at least not by
anyone who loves language.
What really brought this home to me was reading the wonderful science
fiction writer, Bruce Sterling, writing about the Republican presidential
primaries in Wired. His words sparkled and danced on the pages.
This was vivid, image-filled language. The insights were sharp and compelling.
And after all, who better than a science fiction writer to recognize a
dystopia in the making?
I contrasted this with the political writing I am used to seeing, and
realized that what newspapers need is real writers. So my son and I played
a little parlor game: what real writers would we have covering what beats?
For national politics, we thought Judith Viorst would be a natural. As you
can tell from her children's books, like Alexander Who Used To Be Rich
Last Sunday, this is a woman who has raised several squabbling little
boys, with great understanding of their thought processes. So we'd assign
her to cover Congress.
Bruce Sterling should by all means continue to cover elections, but we
should also have Richard Mitchell and Bill James. Richard Mitchell (the
"underground grammarian", author of Less Than Words Can Say) because
he is a fine writer and the best analyst of rhetoric since George Orwell.
Here is a man who can dissect political speech and find its core arguments.
To be sure, he might find only a pompously disguised vacuum of thought, but
this is valuable information for voters too. Similarly, Bill James (The
Bill James Historical Baseball Abstract), known as a baseball
researcher, is one of the sharpest analysts of arguments around. After all,
a man who can examine all the arguments why a given player should be in the
Hall of Fame, analyze the statistics, compare the player with other players
in that position who did and did not get into the Hall, is a man who should
be analyzing the quality of political arguments, sorting out the valid from
the meretricious.
Our newspapers have been a complete failure at telling citizens what the
government does on a day-to-day basis. Outside of the Washington
Monthly, we don't have routine coverage of the government agencies that
are responsible for our basic safety and well-being. That's why we could
use somebody like Studs Terkel, the oral historian, to report on the normal
daily activities of government. He could interview the secretaries at the
Department of Health and Human Services, the meteorologists at the National
Severe Storms Laboratory, the statisticians at the Bureau of Labor
Statistics, and ask them what they do all day, and why it matters.
Economics reporting is easily the most boring part of newspapers in their
present form. Why? Because if the numbers affect our lives--and they
do--the reporters don't explain why or how. Oh, maybe they'll tell us how
the numbers affect stockholders and bondholders. But they aren't explaining
how rates on 30-year treasury bonds may cause us to get a pink slip along
with our paycheck next Friday. What we need, clearly, is Paul Erdman doing
our economic reporting. Here is a man who writes thrillers about
international bankers and stock transactions. Thanks to him, I knew what
derivatives were before Nicholas Leeson came along (and before Nicholas
Leeson's employers at the bank did, apparently). Erdman is a fantastic
explainer of complicated abstract economic concepts, and he is equally good
at showing how those gray numbers change our lives.
But our present business writers also suffer from their belief that the
marketplace is more efficient than government, and that we can therefore
rely on it to solve our problems. That's why I would hire Scott Adams, the
creator of Dilbert,
to do routine coverage of corporations. Scott Adams knows how corporations
really work.
For foreign affairs, we should have somebody who knows a fair amount about
other cultures and their history, and what events need to be paid attention.
Also, since Americans are easily bored with foreign affairs, we need
somebody entertaining. I would try for John Cleese, from Monty
Python, or
Douglas Adams. (Next to life, the universe and everything, Europe should be
a comparatively small area to cover.)
Science, of course, affects us all, in ways most of us don't begin to
understand. So we should draft Michael Crichton (Jurassic Park,
The Terminal Man, etc.) to do our science coverage. He is good at
making his readers understand that all life on our planet is inter-related,
and that tinkering with one little thing can change everything else
profoundly.
The American public is very much concerned about the environment, but
newspapers much less so. We need routine, daily coverage, by someone who
understands the delicate balance of ecological systems. Anne McCaffrey
would be ideal. In her novels about the planet Petaybee (Powers That
Be, etc.), she showed a planet reacting as a complete organism,
resisting mindless exploitation, while embracing the settlers who worked in
harmony with it, and used its bounty wisely. She can bring this
understanding to our own planet.
Most Americans care deeply about children and education, and yet we learn
next to nothing about the lives of children in our newspapers. So we'll
create a new beat and assign it to Stephen King, a man who clearly has never
forgotten the joys and terrors of childhood. As for schools, we need to
know a lot more about them. Not just about the ones that fail--we have
Jonathan Kozol for that already (Savage Inequality), but also about
the ones that succeed. For that, we'll have to draft Ken Macrorie
(Twenty Teachers), who studies and writes about great teachers, and
how they work their magic.
We will need much better coverage of our state and local governments if more
power is transferred from the federal government to their jurisdictions.
Neil Peirce is already doing a wonderful job of writing about good local
government and successful renewal projects, so we'll keep him on this beat.
We'll add Joel Garreau (The Nine Nations of North America, Edge
City), who is awfully good at analyzing, and writing well about,
regional and suburban lifestyles. And who better to write about government
than a man who created a magic kingdom, and had his hero govern it through
several novels (Magic Kingdom for Sale)? So Terry Brooks will be
hired for this beat too. We might just send him to Arkansas.
Religion is another one of those things that is important to the public but
barely covered in the newspapers. We could use somebody who truly
understands religious people, how religion governs their choices, what
conflicts it raises and resolves. The brilliant science fiction writer
Orson Scott Card, a devout Mormon with a profound moral vision, is the
obvious candidate for religion reporter.
Popular culture reporting, of course, should be much more than movie
reviews, celebrity interviews and soap opera digests. Our media affect us
powerfully, how we dress, how we behave, how we think. So we need to hire
Neil Postman (Technopoly, Crazy Talk, Stupid Talk, etc.) to
write on a daily basis about how technology and media alter our minds.
We could also use a writer who has a sense of who Americans are as a
people--not just a passel of competing, selfish interest groups, but
ordinary, striving, caretaking members of a community. We don't much like
the vision of Americans we see in our newspapers now, nor does it really
match the people we see around us every day. So we'll hire CBS's wandering
reporter Charles Kuralt and send him back out on the road again to talk to
Americans, and report back to us on what kind of people we are.
Of course, there are some things we don't want to change. Some newspaper
writers are already doing exactly what God intended them to do, and doing it
brilliantly, so we'll keep them at it. We'll have Dave Barry explaining the
mentality of guys, and covering the exploding-toilet beat. We'll keep Bob
Greene on the ordinary-folks beat, Ellen Goodman on the women beat, (and
bring back Anna Quindlen if we can), Molly Ivins on the politics beat, and
Barbara Ehrenreich on the cultural commentary beat. What the heck, we can
even use a curmudgeon to harrumph about the decline of society, so we'll
keep John Leo--after all, he's right every now and again.
Now there's a newspaper that would be worth killing trees for.
But designing a newspaper is a parlor game anybody can play. I know I've
left out a lot of great writers. Maybe there are also beats I haven't
thought about covering. So, create your own. And let me know who's on your
newspaper--it might be as good as mine. Or maybe even better.
Please feel free to send any comments on this column to Marylaine Block
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